Po siedmiu latach od znakomitej współpracy Stefano Puri i Simone Salvatori (Spiritual Front), w efekcie której powstał ich kultowy album Armageddon Gigolo, artyści spotkali się ponownie, wydając pod koniec 2013 roku płytę Black Hearts in Black Suits.
After seven years of excellent cooperation of Stefano Puri and Simone Salvatori (Spiritual Front), which resulted in their most famous and great Armageddon Gigolo album, artists met again, releasing in late 2013 Black Hearts in Black Suits.
After seven years of excellent cooperation of Stefano Puri and Simone Salvatori (Spiritual Front), which resulted in their most famous and great Armageddon Gigolo album, artists met again, releasing in late 2013 Black Hearts in Black Suits.
Po raz kolejny Włosi stworzyli wspólnie bardzo spójny, mroczny, melancholijny, ale i elektryzujący zarazem album. Kompozycje Stefano Puri są zdecydowanie oszczędniejsze niż znane z Armageddon, co odpowiada charakterowi jego dotychczasowych solowych realizacji. Wokal Simone Salvatori dopełnia całość niezwykłą charyzmą. Wyczuwa się przy tym inspiracje licznymi industrialowymi czy neo-folkowymi artystami w tym psychodeliczną manierą śpiewu Davida Tibeta, słyszalną pod koniec I Believe I Was Yours.
The Italians have once again created a coherent, dark, melancholic, but at the same time electrifying album. Stefano Puri's compositions are far more minimalistic than these from the Armageddon, which corresponds to the nature of his previous solo projects. Salvatori's voice completes the album with an extraordinary charisma. You can feel the inspirations of many industrial or neofolk artists and the psychedelic manner of David Tibet's singing, audible at the end of I Believe I Was Yours.
The Italians have once again created a coherent, dark, melancholic, but at the same time electrifying album. Stefano Puri's compositions are far more minimalistic than these from the Armageddon, which corresponds to the nature of his previous solo projects. Salvatori's voice completes the album with an extraordinary charisma. You can feel the inspirations of many industrial or neofolk artists and the psychedelic manner of David Tibet's singing, audible at the end of I Believe I Was Yours.
Album dostępny jest zarówno na cd, jak również w limitowanej - w wysokości 299 sztuk - edycji białego LP.
The album is available both on CD and LP, which is a limited (299) white edition.
The album is available both on CD and LP, which is a limited (299) white edition.
Płyta kończy się utworem opartym na fragmencie poematu The Ballad of Reading Gaol Oscara Wilde'a pt. Each man kills the thing he loves, który znany jest z koszmarnego wykonania Jeanne Moreau w filmie Querelle Rainera W. Fassbindera - myślę, że tym razem Wilde nie łapie się za głowę...
Black Hearts in Black Suits ends with a song based on a passage from Oscar Wilde's poem The Ballad of Reading Gaol - Each man kills the thing he loves, which is well known for a awful and terrible performance by Jeanne Moreau in Rainer W. Fassbinder's Querelle. I think that this time Wilde doesn't clutches his head in disbelief...
Black Hearts in Black Suits ends with a song based on a passage from Oscar Wilde's poem The Ballad of Reading Gaol - Each man kills the thing he loves, which is well known for a awful and terrible performance by Jeanne Moreau in Rainer W. Fassbinder's Querelle. I think that this time Wilde doesn't clutches his head in disbelief...
each man kills the thing he loves
each man kills the thing he loves
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